Institute of Contemporary Art Miami Inc
Public records show a registered, tax-exempt organization in good standing.
What it says it does
THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME.
- Income
- $15.9 million
- Spending
- $12.4 million
- Spent on programs
- 77%
- Reserves
- -41.6 months of spending
- Largest source of income
- donations and private grants, 97%
- Employees
- 59
- Volunteers
- 42
- Highest pay
- $457,799, artistic director
Source: Form 990 for the year ending September 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Financial health
Fair: 61 out of 100. Higher than 31% of charities in its peer group (arts and culture, $10m to $100m).
Reserves
0 of 35Spendable reserves are negative: it owes or has committed more than it holds.
Debt
16 of 20It owes 24% of what it owns.
Living within its means
15 of 15Income exceeded spending by 22% of income.
Income trend
15 of 15Income rose 7% on the year before.
Spending floor
15 of 1577% of spending went to programs and raising each dollar of donations cost 10 cents.
Source: Form 990 for the year ending September 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Governance
Strong: 90 out of 100. Higher than 12% of charities in its peer group (arts and culture, $10m to $100m).
Independent board
25 of 2542 of 42 voting board members are independent.
Conflict of interest policy
15 of 15Has a written conflict of interest policy.
Whistleblower policy
8 of 8Has a written whistleblower policy.
Record keeping policy
7 of 7Has a written policy on keeping and destroying records.
Board minutes
5 of 5Keeps minutes of board meetings.
Board sees the tax return
0 of 10Did not give the board a copy of this return before filing it.
Pay set independently
5 of 5Sets its chief executive's pay through independent review and comparison.
Independent check of accounts
15 of 15Its accounts were audited by an independent accountant.
No reported misuse
10 of 10Reports no diversion of assets, excess benefits or loans to insiders.
Source: Form 990 for the year ending September 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Impact evidence
Describes programs. Its tax return describes what it does but we have found no measurable results in it.
Programs described in its return (4)
- $6.4 million spent. EXHIBITIONS AND COLLECTIONS DURING FISCAL YEAR 2025, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM DIVERSE INTERNATIONAL ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2025 INCLUDED THE FOLLOWING: FROM NOVEMBER 2024 TO MARCH 2025, ICA MIAMI PRESENTED "KEICHI TANAAMI: MEMORY COLLAGE," A SURVEY OF FOUNDATIONAL JAPANESE POP ARTIST, KEICHI TAANAMI, WHICH INCLUDED SIX DECADES OF WORKS. TANAAMI WAS PART OF THE FIRST GENERATION OF POSTWAR JAPANESE ARTISTS WHO HAD TO URGENTLY FIND WAYS TO MEDIATE THE TRAUMA OF NUCLEAR WAR AND THE ARRIVAL OF PSYCHEDELIC CULTURE TO JAPAN IN THE 1960S. HE WORKED ACROSS VARIOUS MEDIA, FROM ANIMATIONS AND COLLAGES TO PAINTINGS AND DIGITAL VIDEOS. FROM NOVEMBER 2024 TO MARCH 2025, ICA MIAMI PRESENTED "CROSSROADS: RUBEM VALENTIM'S 1960S." RUBEM VALENTIN WAS THE FIRST BRAZILIAN ARTIST TO MARRY THE LONG HISTORY OF GEOMETRIC ABSTRACTION IN PAINTING WITH A VISUAL LANGUAGE DERIVED FROM THE AFRO-BRAZILIAN RELIGION OF CANDOMBLE, PRODUCING UNPRECEDENTED NEW FORMS. THE EXHIBITION FOCUS SPECIFICALLY IN THE WORK OF THE 1960S, WHICH WAS THE MOST IMPORTANT AND GROUND-BREAKING DECADE OF VALETIM'S PRODUCTION. FROM DECEMBER 2024 TO MARCH 2025, ICA MIAMI SHOWCASED LAURIE SIMMONS PROJECT "KALEIDOSCOPE HOUSE," IN COLLABORATION WITH MIAMI DESIGN DISTRICT. FROM DECEMBER 2024-MARCH 2025, ICA MIAMI PRESENTED "LUCY BULL: THE GARDEN OF FORKING PATHS." THE EXHIBITION WAS THE FIRST MUSEUM EXHIBITION FOR LUCY BULL, AN AMERICAN ABSTRACT PAINTER. ALONG WITH "LUCY BULL: THE GARDEN OF FORKING PATHS," ICA MIAMI ALSO COMMISSIONED BULL TO MAKE A NEW, 40-FOOT PAINTING FOR THE MUSEUM'S STAIRWELL, WHICH WAS ON DISPLAY BETWEEN DECEMBER 2024 AND OCTOBER 2025. FROM DECEMBER 2024 TO MARCH 2025, ICA MIAMI PRESENTED "MARGUERITTE HUMEAU: \*SK\*/EY-," THE FIRST MUSEUM EXHIBITION FOR PARIS-BORN AND LONDON-BASED SCULPTOR MARGUERITTE HUMEAU. THE EXHBITION PRESENTED A NEW GROUP OF WORKS THAT EXPLORED POSTHUMAN LANDSCAPES, MUTATING SPECIES, AND IRREGULAR MATERIALS. FROM DECEMBER 2024 TO APRIL 2025, ICA MIAMI PRESENTED "DING SHILUN: JANUS," THE FIRST MUSEUM EXHIBITION FOR ARTIST DING SHILUN, WHOSE PAINTINGS EXPLORE, THROUGH MYSTICAL AND GHOSTLY SCENES, COMING-OF-AGE NARRATIVES. IN MARCH 2025, IN COLLABORATION WITH MIAMI DESIGN DISTRICT, ICA PRESENTED "MARTA MINUJIN: DREAMSACPE," A LARGE-SCALE AND INTERACTIVE OUTDOOR INSTALLATION BY HISTORICAL ARGENTINEAN ARTIST, MARTA MINUJIN. FROM APRIL TO NOVEMBER 2025, ICA PRESENTED "MIRIAM SHAPIRO: 1967-1972," WHICH SHOWCASED AN IMPORTANT AND RARELY SHOWN SET OF PAINTINGS BY SHAPIRO, SOME OF THE FIRST WORK ANYWHERE TO USE COMPUTERS IN THEIR PRODUCTION. FROM MAY TO OCTOBER 2025, ICA MIAMI HOSTED "OLGA DE AMARAL," AN EXHIBITION OF PIONEERING COLOMBIAN PIONEER FIBER ARTISTS. IT WAS HER LARGEST RETROSPECTIVE TO DATE THUS FAR, INCLUDING OVER 50 WORKS PRODUCED OVER THE LST SIX DECADES. FROM MAY TO OCTOBER 2025, ICA MIAMI PRESENTED "SANAA GATEJA: LANGUAGE OF WE," AN EXHIBITION OF LARGE-SCALE QUILTS MADE WITH DYED PAPER BEADS BY UGANDAN ARTIST SANAA GATEJA. FROM MAY TO OCTOBER 2025, ICA MIAMI PRESENTED "MILDRED THOMSON: FREQUENCIES," A SURVEY OF THE WORKS OF LATE AFRICAN-AMERICAN ARTIST MILDRED THOMPSON. THOMPSON'S RICHLY STAURATED, LARGE-SCALE PAINTINGS EXPLORE PHENOMENA THAT UNFOLD BEYOND THE THRESHOLDS OF HUAMN SIGHT, FROM COSMIC EVENTS AND MICROSCOPIC REALITIES TO DIFFERENT SOUND FREQUENCIES. IN JUNE 2025, ICA MIAMI PRESENTED "KONSTATINO DREGOS: PRIMA MATERIA," AN EXHIBITION OF MINIMALIST PAINTINGS BY DREGOS, WHICH EMPLOY MATHEMATICAL FORMULAS AS THEIR SUBJECT MATTER. IN JULY 2025, ICA MIAMI PRESENTED "ERIC DOERINGER," AN EXHIBITION OF PAINTINGS WHICH DOERINGER MADE IN THE SPECIFIC STYLE OF OTHER ARTISTS, RAISING QUESTIONS OF AUTHORSHIP, CREATIVITY, AND PROPERTY. IN APRIL 2025, ICA MIAMI PRESENTED "MOVING BEYOND BARS," AN EXHIBITION FEATURING MONUMNETAL WORKS AND PERSONAL WRITINGS CREATED BY WOMEN INCARCERATED AT FLORIDA WOMEN'S PRISON IN OCALA, FLORIDA, AND MEN INCARCERATED AT THE SOUTH DAKOTA STATE PENITERNTIARY, SIOUX FALL, SD, AND MIKE DURFEE STATE PRISON, SPRINGFIELD, SD. IN ADDITION, ICA MIAMI CONTINUED TO ACTIVATE ITS SCULPTURE GARDEN WITH WORKS BY LEADING CONTEMPORARY ARTISTS, INCLUDING PERMANENT COMMISSIONS SUCH AS UNSPECIFIED PROMISE (ALLORA & CALZADILLA), DR. PEPPER (MARK HANDFORTH), EPICURUS (PEDRO REYES), AND REPLICANT STONE (DAMIAN ORTEGA). ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO GROW, ARTICULATING CORNERSTONE MOMENTS IN THE CAREERS OF SIGNIFICANT ARTISTS OF OUR TIME, WITH ACQUISITIONS IN FY2025 EXPANDING THE MUSEUM'S HOLDINGS IN PAINTING, SCULPTURE, AND NEW MEDIA. (EXPENSES $ 911,757 INCLUDING GRANTS OF $ 0)(REVENUE $ 0) EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2025. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2025, MORE THAN 1000 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. THESE ACCESSIBLE PROGRAMS COMBINED STORYTELLING, ART-MAKING, AND MOVEMENT, SERVING OVER 500 FAMILIES DURING FY2025.
- $1.2 million spent. COMMUNICATIONS THROUGH ITS COMMUNICATIONS PROGRAM, ICA MIAMI COMMUNICATES ITS MISSION AND ACTIVITIES TO THE PUBLIC, INFORMING AUDIENCES ABOUT CONTEMPORARY ART AND ITS IMPORTANCE IN OUR SOCIETY THROUGH MULTIPLE MEDIA. ICA MIAMI CONTINUES TO EMPLOY A COMPREHENSIVE MARKETING AND OUTREACH STRATEGY TO SUPPORT ENGAGEMENT WITH BOTH TOURISTS AND MIAMI RESIDENTS OF ALL AGES AND SOCIOECONOMIC BACKGROUNDS. THE MUSEUM MAINTAINS DEDICATED STAFF FOR MARKETING, COMMUNICATIONS, AND DIGITAL PRODUCTION AND WORKS WITH LEADING PR AGENCIES TO ENSURE SIGNIFICANT AUDIENCE REACH AND PRESS ATTENTION ON THE LOCAL, NATIONAL, AND INTERNATIONAL LEVELS. KEY STRATEGIES IN FY2025 INCLUDED: 1. PUBLISHING FULL-PAGE PRINT ADS IN CULTURED, DESIGN DISTRICT MAGAZINE, AND OTHER ART PUBLICATIONS. 2. IMPLEMENTING DIGITAL CAMPAIGNS WITH LOCAL MEDIA OUTLETS SUCH AS MIAMI HERALD, MIAMI NEW TIMES, TIME OUT MIAMI AND WLRN. 3. RUNNING TARGETED GOOGLE ADWORDS AND DISPLAY ADVERTISING CAMPAIGNS. 4. BROADCASTING RADIO SPOTS PROMOTING ICA MIAMI'S MISSION OF FREE AND OPEN ACCESS. 5. POSTING AND ADVERTISING ACROSS ICA MIAMI'S SOCIAL MEDIA PLATFORMS (WITH CONTINUED GROWTH IN INSTAGRAM, FACEBOOK, AND X/TWITTER FOLLOWERS, REACHING A COMBINED AUDIENCE EXCEEDING 500,000). 6. PRODUCING ORIGINAL VIDEO CONTENT DISTRIBUTED VIA ICA MIAMI'S WEBSITE, YOUTUBE, AND SOCIAL MEDIA CHANNELS. 7. ENHANCING WEBSITE SEO VISIBILITY TO MAXIMIZE ACCESS TO EXHIBITION AND PROGRAM INFORMATION. 8. IMPROVING WEB INFRASTRUCTURE TO TRACK ENGAGEMENT PATHWAYS, INCLUDING TICKET RESERVATIONS AND MEMBERSHIP SALES. 9. SENDING EMAIL COMMUNICATIONS TO OVER 113,000 SUBSCRIBERS WITH INVITATIONS TO EXHIBITIONS, PROGRAMS, AND EVENTS. 10. GENERATING GLOBAL WEBSITE SESSIONS AVERAGING MORE THAN 20,000 MONTHLY. 11. CROSS-PROMOTING WITH CITY AND COMMUNITY ORGANIZATIONS INCLUDING GREATER MIAMI CONVENTION & VISITORS BUREAU, FLORIDA INTERNATIONAL UNIVERSITY AND UNIVERSITY OF MIAMI. 12. ISSUING NATIONAL AND INTERNATIONAL PRESS RELEASES TO MAJOR ART TRADE PUBLICATIONS. 13. HOSTING EXHIBITION OPENINGS AND EVENTS WITH SPONSORS, LIVE PERFORMANCES, AND SOCIAL ACTIVATIONS.
- $988,661 spent. PUBLIC PROGRAMS DURING FISCAL YEAR 2025, ICA MIAMI CONTINUED TO GENERATE A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, ARTIST TALKS, LIVE PERFORMANCES, AND PODCASTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMMING WAS DEVELOPED UNDER THE FOLLOWING RUBRICS: ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. * ART + RESEARCH CENTER (A+RC) ICA MIAMI'S A+RC REMAINS THE MUSEUM'S PLATFORM FOR ADVANCED STUDY AND DIALOGUE ON ART AND IDEAS, OFFERING FREE COLLEGE-LEVEL SEMINARS AND PUBLIC LECTURES. IN FY2025, THE A+RC HOSTED MULTIPLE THREE-WEEK SEMINAR CYCLES LED BY PROMINENT ARTISTS, THEORISTS, AND SCHOLARS, ADDRESSING THEMES SUCH AS THE UNCANNY IN THE VISUALS ARTS (OCTOBER 15-31, 2024), THE ARTS OF AFRO-BRAZIL (MAY 12-19, 2025), AND CULTURAL PRODUCTION AND QUESTIONS OF CLIMATE (AUGUST 10-13, 2025). OVER THE COURSE OF THE YEAR, THE A+RC PRESENTED 10 PUBLIC LECTURES AND RELEASED A NEW SEASON OF ITS PODCAST, FEATURING ARTISTS AND SCHOLARS INCLUDING CHARLES GAINES, TONY OUSLER, DEBORAH LEVITT, JEFFERY SCONCE, ROBERTOI CONDURU, LUIS NICOLAS PARES, AND KRIS ROVETTO-BIAGIOLI. THE A+RC SUMMER INTENSIVE CONVENED STUDENTS AND COMMUNITY MEMBERS FOR INTERDISCIPLINARY STUDY WITH VISITING FACULTY FROM LEADING UNIVERSITIES. IT CULMINATED WITH A SYMPOSIUM IN WHICH SCHOLARS JOSHUA SHANNON AND STEPHANIE WAKEFIELD PRESENTED NEW RESEARCH * ICA IDEAS ICA IDEAS PROVIDED IN-DEPTH CONVERSATIONS, SYMPOSIA, AND CRITICAL REFLECTIONS TIED DIRECTLY TO ICA MIAMI'S EXHIBITIONS. HIGHLIGHTS IN FY2025 INCLUDED: A SYMPOSIUM ON THE WORK OF OLGA DE AMARAL, EXPLORING HER DECADES OF ARTMAKING AND THE BRIDGES THAT SHE HAS CREATED BETWEEN CRAFT AND TARDITIONAL PRACTICES AND CONTEMPORARY ART. SCHOLARS AND CURATORS SUSAN ABERTH, ELISSA AUTHER, CRISTINA L. DE LEON, AND MARIE PERENEES PRESENTED NEW PAPERS. AN ARTIST TALK WITH LAURIE SIMMONS REGARDING HER PROJECT "KALEIDOSCOPE HOUSE," ON VIEW AT ICA MIAMI. AN ARTIST TALK WITH MARGUERITE HUMEAU ON HER NEW BODY OF WORKS, EXHIBITED FOR THE FIRST TIME AT ICA MIAMI. A FORMAL LECTURE BY JAPANESE ART HISTORIAN NAMIKO KUNIMOTO ON THE WORK OF KEICHI TANAAMI. AN[GM1.1] INTERDISCIPLINARY ONE-DAY SYMPOSIUM ON ZILIA SANCHEZ PRACTICE IN THE CONTEXT OF POSTWAR LATIN AMERICAN MODERNISM AND GEOMETRIC ABSTRACTION BROADENING PERSPECTIVES ON THE ARTIST'S WORK AND EXPLORING THE VARIOUS ARTISTIC CONTEXTS SHE WORKED IN INCLUDING HAVANA, NEW YORK, MADRID, AND SAN JUAN. SCHOLARS CHRISTINA A. LEON, CECILIA FAJARDO-HILL AND ALYSON CLUCK PARTICIPATED. *ICA SPEAKS ICA SPEAKS HOSTED ARTIST TALKS AND SCHOLARLY REFLECTIONS RELATED TO ICA MIAMI'S PERMANENT COLLECTION AND EXHIBITIONS. FY2025 FEATURED A LECTURE BY ARTIST RICK LOWE . THROUGH THESE INITIATIVES, ICA MIAMI PRESENTED DOZENS OF PUBLIC PROGRAMS DURING FY2025, ENGAGING THOUSANDS OF PARTICIPANTS IN DIALOGUE, LEARNING, AND LIVE PERFORMANCE. THESE PROGRAMS REINFORCE ICA MIAMI'S MISSION TO PROVIDE FREE AND OPEN ACCESS TO CONTEMPORARY ART, FOSTER CRITICAL THOUGHT, AND AMPLIFY DIVERSE VOICES IN MIAMI, NATIONALLY, AND INTERNATIONALLY. (EXPENSES $ 911,757 INCLUDING GRANTS OF $ 0)(REVENUE $ 0) EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2025. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2025, MORE THAN 1000 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. THESE ACCESSIBLE PROGRAMS COMBINED STORYTELLING, ART-MAKING, AND MOVEMENT, SERVING OVER 500 FAMILIES DURING FY2025.
- $911,757 spent. EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2025. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2025, MORE THAN 1000 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. THESE ACCESSIBLE PROGRAMS COMBINED STORYTELLING, ART-MAKING, AND MOVEMENT, SERVING OVER 500 FAMILIES DURING FY2025.
Source: Form 990 for the year ending September 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Legitimacy checks
Is it registered with the IRS? Passed.
Listed in the IRS master file of tax-exempt organizations as a 501(c)(3) charitable organization.
Source: Exempt Organizations Business Master File, Internal Revenue Service, file dated October 13, 2026.
Has the IRS revoked its tax-exempt status? Passed.
Not on the IRS automatic revocation list.
Source: Automatic revocation of exemption list, Internal Revenue Service, file dated November 6, 2026.
Are donations tax-deductible? Passed.
On the IRS list of organizations eligible to receive tax-deductible contributions.
Source: Publication 78 data: organizations eligible for tax-deductible contributions, Internal Revenue Service, file dated October 13, 2026.
Is it keeping up with its IRS filings? Passed.
Most recent return on file covers the year ending September 2025.
Source: Exempt Organizations Business Master File, Internal Revenue Service, file dated October 13, 2026.
How long has it been tax-exempt? Passed.
Recognized by the IRS since August 2014.
Source: Exempt Organizations Business Master File, Internal Revenue Service, file dated October 13, 2026.
Is it in good standing with state regulators? Passed.
Not on California's list of charities barred from soliciting. Other states are not yet checked.
Source: May Not Operate or Solicit for Charitable Purposes list, California Attorney General, Registry of Charities and Fundraisers, file dated November 4, 2026.
Ratings and checks are our reading of public records, using the published method. They are not a statement about anyone's honesty. If you work for this organization, you can send corrections or results, confirm you want gifts through Veridonate, or ask to be removed from giving.