Academy Museum Foundation
Public records show a registered, tax-exempt organization in good standing.
What it says it does
THE ACADEMY MUSEUM OF MOTION PICTURES ADVANCES THE UNDERSTANDING, CELEBRATION, AND PRESERVATION OF CINEMA THROUGH INCLUSIVE AND ACCESSIBLE EXHIBITIONS, SCREENINGS, PROGRAMS, INITIATIVES, AND COLLECTIONS. WELCOMING VISITORS FROM LOS ANGELES AND AROUND THE WORLD, THE MUSEUM WORKS IN ACTIVE PARTNERSHIP WITH MOTION PICTURE ARTISTS AND SPECIALISTS, SCHOLARS, STAFF, AND DIVERSE COMMUNITIES TO CONTEXTUALIZE AND CHALLENGE DOMINANT NARRATIVES AROUND CINEMA, INSPIRING DISCOURSE, CONNECTION, JOY, AND DISCOVERY.
- Income
- $71.4 million
- Spending
- $85.4 million
- Spent on programs
- 93%
- Reserves
- -32.3 months of spending
- Largest source of income
- donations and private grants, 87%
- Employees
- 454
- Volunteers
- 63
- Highest pay
- $1.1 million, trustee
Source: Form 990 for the year ending June 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Financial health
Weak: 30 out of 100. Higher than 2% of charities in its peer group (arts and culture, $10m to $100m).
Reserves
0 of 35Spendable reserves are negative: it owes or has committed more than it holds.
Debt
5 of 20It owes 67% of what it owns.
Living within its means
0 of 15Spending exceeded income by 20% of income.
Income trend
10 of 15Income fell 8% on the year before.
Spending floor
15 of 1592% of spending went to programs and raising each dollar of donations cost 6 cents.
Source: Form 990 for the year ending June 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Governance
Strong: 95 out of 100. Higher than 31% of charities in its peer group (arts and culture, $10m to $100m).
Independent board
25 of 2524 of 25 voting board members are independent.
Conflict of interest policy
15 of 15Has a written conflict of interest policy.
Whistleblower policy
8 of 8Has a written whistleblower policy.
Record keeping policy
7 of 7Has a written policy on keeping and destroying records.
Board minutes
5 of 5Keeps minutes of board meetings.
Board sees the tax return
10 of 10Gave the board a copy of this return before filing it.
Pay set independently
0 of 5Reports no independent review process for its chief executive's pay.
Independent check of accounts
15 of 15Its accounts were audited by an independent accountant.
No reported misuse
10 of 10Reports no diversion of assets, excess benefits or loans to insiders.
Source: Form 990 for the year ending June 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Impact evidence
Describes programs. Its tax return describes what it does but we have found no measurable results in it.
Programs described in its return (7)
- $42.7 million spent. THE ACADEMY MUSEUM CONSISTS OF THE RENOVATED LANDMARK 1939 SABAN BUILDING AND A NEW, ATTACHED SPHERICAL ADDITION THAT INCLUDES, AMONG OTHER THINGS, THE 951-SEAT DAVID GEFFEN THEATER AND THE DOLBY FAMILY TERRACE OVERLOOKING THE HOLLYWOOD HILLS AND THE CITY OF LOS ANGELES. THE ACADEMY MUSEUM FEATURES SIX STORIES OF IMMERSIVE EXHIBITION GALLERIES, A STATE-OF-THE-ART EDUCATIONAL STUDIO, FILM THEATERS AND DYNAMIC PUBLIC AND SPECIAL EVENT SPACES. ONE OF THE KEY MISSIONS OF THE ACADEMY MUSEUM FOUNDATION IS TO MANAGE AND OPERATE THE FACILITY. THIS CATEGORY OF EXPENSE ALSO REFLECTS FINANCING AND DEPRECIATION EXPENSE OF THE CAPITALIZED COSTS OF CONSTRUCTING THE MUSEUM'S PHYSICAL FACILITIES.
- $22.0 million spent. AS PART OF ITS MISSION, THE ACADEMY MUSEUM FOUNDATION ENGAGES IN AN ACTIVE PROGRAM OF COLLECTION CARE AND CONSERVATION OF FILM-RELATED OBJECTS AS PART OF THE 52 MILLION ITEM ACADEMY COLLECTION. THE ACADEMY MUSEUM'S LOS ANGELES FACILITY INCLUDES A COLLECTION STUDIO TO PROCESS AND PREPARE OBJECTS FOR DISPLAY, A CONSERVATION LAB TO CONDUCT ANALYSIS AND TREATMENT OF 3-D OBJECTS, AS WELL AS A PHOTOGRAPHY STUDIO FOR THE DOCUMENTATION OF OBJECTS. IN ADDITION, THE ACADEMY MUSEUM MAINTAINS CLIMATE-CONTROLLED, HIGHLY SECURE FACILITIES FOR THE STORAGE OF ITS COLLECTION. IN FY25, THE MUSEUM'S CONSERVATION TEAM UNDERTOOK RESEARCH AND ANALYSIS IN SUPPORT OF GROUNDBREAKING WORK INCLUDING: (1) CONTINUATION OF A MULTI-YEAR RESEARCH PROJECT WITH SCIENTISTS FROM NORTHWESTERN UNIVERSITY AND THE ART INSTITUTE OF CHICAGO TO DEEPEN UNDERSTANDING OF THE LONGEVITY OF POLYMER CLAYS AND DEVELOP EFFECTIVE PRESERVATION STRATEGIES FOR THESE MATERIALS, INCLUDING A SCULPTURE BY PIONEERING STOP-MOTION ANIMATOR RAY HARRYHAUSEN AND A PUPPET FROM WALLACE AND GROMIT: THE CURSE OF THE WERERABBIT (2005); AND (2) TREATMENTS ON THE PERMANENT COLLECTION, INCLUDING OBJECTS FROM LARRY COHEN'S HORROR FILMS Q: THE WINGED SERPENT (1982), THE STUFF (1985) AND THE IT'S ALIVE TRILOGY (1974-1987). THE ACADEMY MUSEUM'S CURATORIAL STAFF RESEARCHES THE OBJECTS IN THE MUSEUM'S POSSESSION, PLANS EXHIBITIONS FOR PUBLIC VIEWING, AND PREPARES AND PUBLISHES SCHOLARLY PUBLICATIONS AND TEXTS. THE ACADEMY MUSEUM PRESENTED THE FOLLOWING EXHIBITIONS IN ITS GALLERIES DURING ALL OR PARTS OF FY25: (I) STORIES OF CINEMA (ONGOING) IS THE ACADEMY MUSEUM'S CORE EXHIBITION, SPANNING THREE LEVELS OF THE MUSEUM, NUMEROUS GALLERIES, AND PRESENTING THE DIVERSE, INTERNATIONAL, AND COMPLEX STORIES OF MOVIEMAKERS AND THE WORKS THEY CREATE; (II) HOLLYWOODLAND: JEWISH FOUNDERS AND THE MAKING OF A MOVIE CAPITAL (ONGOING) IS THE ACADEMY MUSEUM'S FIRST PERMANENT EXHIBITION AND TELLS THE ORIGIN STORY OF FILMMAKING IN EARLY 20TH CENTURY LOS ANGELES, SPOTLIGHTING THE IMPACT OF THE PREDOMINANTLY JEWISH PROFESSIONALS AND FILMMAKERS WHOSE ESTABLISHMENT OF THE AMERICAN FILM STUDIO SYSTEM TRANSFORMED LOS ANGELES INTO A GLOBAL EPICENTER OF CINEMA; (III) COLOR IN MOTION: CHROMATIC EXPLORATIONS OF CINEMA (10/06/24-07/13/25), PRESENTED AS PART OF GETTY PST ART, INVESTIGATED THE ROLE OF COLOR IN FILM, FROM THE SCIENTIFIC AND TECHNOLOGICAL ADVANCEMENTS THAT MADE IT POSSIBLE, TO ITS EMOTIONAL AND PSYCHOLOGICAL IMPACT ON VIEWERS, TO THE WAYS FILMMAKERS USE COLOR AS A STORYTELLING TOOL; (IV) JOHN WATERS: POPE OF TRASH (09/17/23-08/04/24), THE FIRST COMPREHENSIVE EXHIBITION DEVOTED TO THE ARTIST; (V) CYBERPUNK: ENVISIONING POSSIBLE FUTURES THROUGH CINEMA (10/06/24-04/12/26), ALSO PRESENTED AS PART OF GETTY PST ART, EXAMINES THE GLOBAL IMPACT AND LASTING INFLUENCE OF THE SCIENTIFIC SUBGENRE CYBERPUNK ON CINEMA CULTURE; (VI) SHIFTING PERSPECTIVES: VERTICAL CINEMA (11/12/23-08/04/24), OFFERED A UNIQUE VERTICAL CINEMA VIEWING EXPERIENCE HONORING THE SPIRIT OF EXPERIMENTATION IN CINEMA; (VII) THE PIXAR TOY STORY 3D ZOETROPE (09/29/24-07/26/26), A LARGE-SCALE THREE-DIMENSIONAL ZOETROPE PRESENTED ALONGSIDE A HISTORICAL "WHEEL OF LIFE" ZOETROPE FROM THE 19TH CENTURY FROM THE ACADEMY'S PRE-CINEMA COLLECTION; (VIII) OUTSIDE THE MAINSTREAM (09/17/23-08/04/24), AN INSTALLATION THAT PAID HOMAGE TO THE FILMMAKERS FROM THE AMERICAN AVANT-GARDE, UNDERGROUND FILM, AND NEW QUEER CINEMA MOVEMENTS; (IX) BARBIE TO ANNA KARENINA: THE CINEMATIC WORLDS OF SARAH GREENWOOD AND KATIE SPENCER (05/23/25-10/25/26), AN IMMERSIVE AND EXPERIENTIAL LOOK AT THE WORKS OF ONE OF THE MOST DISTINCTIVE PRODUCTION DESIGN TEAMS WORKING TODAY; (X) ANIMATION & ME (12/07/24-04/06/25), IMMERSIVE EXHIBITION OF PROJECTIONS OF CLIPS, CONCEPT ART, AND BEHIND-THE-SCENES FOOTAGE THAT ILLUSTRATED THE ART AND PROCESS OF ANIMATION; AND (XI) DYKSTRAFLEX, (05/04/24-07/28/24), A LIMITED TIME INSTALLATION IN THE SPIELBERG FAMILY GALLERY OF THE GROUNDBREAKING DYKSTRAFLEX COMPUTERIZED MOTION CONTROL SYSTEM. THE ACADEMY MUSEUM ALSO PRESENTED THE OSCARS EXPERIENCE (ONGOING), AN IMMERSIVE SIMULATION IN WHICH MUSEUM VISITORS CAN RECEIVE AN OSCAR AND A VIDEO TO DOCUMENT THE EXPERIENCE. THE ACADEMY MUSEUM'S PUBLISHING IMPRINT PRODUCED CATALOGUES FOR ITS TEMPORARY EXHIBITIONS COLOR IN MOTION: CHROMATIC EXPLORATIONS OF CINEMA, JOHN WATERS: POPE OF TRASH, AND CYBERPUNK: ENVISIONING POSSIBLE FUTURES THROUGH CINEMA. ALL THE PUBLICATIONS ARE CO-PUBLISHED WITH DELMONICO BOOKS AND DISTRIBUTED WORLDWIDE BY D.A.P. ARTBOOK.
- $9.7 million spent. THE ACADEMY MUSEUM IS THE LARGEST INSTITUTION IN THE UNITED STATES DEVOTED TO THE GLOBAL ARTS, SCIENCES, AND ARTISTS OF MOVIEMAKING. DURING FY25, THE ACADEMY MUSEUM HAD ROBUST TICKET SALES, PRESENTED A WIDE VARIETY OF FILM SCREENINGS, AND HOSTED NUMEROUS EDUCATION AND PUBLIC PROGRAMS, MANY OF WHICH FEATURED NOTABLE FILM ARTISTS. THE MUSEUM SERVES A DIVERSE GENERAL POPULATION OF LOCAL LOS ANGELES COUNTY RESIDENTS, INCLUDING STUDENTS AND TEACHERS ON K-12 SCHOOL TOURS; NATIONAL AND INTERNATIONAL VISITORS TO LOS ANGELES; AND BUSINESS, FILM INDUSTRY, AND CONVENTION VISITORS. AS PART OF ITS COMMUNITY COMMITMENT, THE MUSEUM'S GROUND FLOOR IS OPEN FREE TO THE PUBLIC. IT INCLUDES THE SIDNEY POITIER GRAND LOBBY AND SPIELBERG FAMILY GALLERY, HOUSING IMMERSIVE MULTICHANNEL MEDIA INSTALLATIONS. DISCOUNTED ADMISSION IS PROVIDED TO STUDENTS AND SENIORS, WITH FREE ADMISSION OFFERED TO CALIFORNIA EBT CARDHOLDERS AND THEIR FAMILIES. FREE MUSEUM ADMISSION FOR VISITORS 17 YEARS OF AGE AND YOUNGER IS PROVIDED IN PERPETUITY THROUGH AN ENDOWMENT. THE ACADEMY MUSEUM STORE HAS LIVELY TRAFFIC ON SITE AND ONLINE, OFFERING MERCHANDISE DESIGNED AND PRODUCED BY ACADEMY MEMBERS AND LOS ANGELES- AND CALIFORNIA-BASED ARTISTS AND DESIGNERS AS WELL AS PRODUCTS CONNECTING STORE AUDIENCES TO THE MUSEUM'S EXHIBITIONS AND THE HISTORY OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES AND THE OSCARS.
- $4.3 million spent. PROGRAMS
- $48,697 spent. GRANTS TO ARCHIVAL FOUNDATION
- $103,354 spent. GRANTS TO VINE STREET ARCHIVE FOUNDATION
- THE ACADEMY MUSEUM'S EDUCATION, FILM PROGRAMMING, AND PUBLIC ENGAGEMENT PROGRAMS CREATE SAFE AND INCLUSIVE LEARNING OPPORTUNITIES FOR LOCAL, NATIONAL, AND INTERNATIONAL LEARNERS OF ALL ABILITIES. THIS PROGRAMMING INCLUDES A ROBUST SCHEDULE OF SCREENINGS, DISCUSSIONS, AND PUBLIC PROGRAMS INCLUDING IN-GALLERY PROGRAMS, VIRTUAL PROGRAMS, SCHOOL TOURS, SYMPOSIA, PANELS, BOOK SIGNINGS, AND MORE. THE ACADEMY MUSEUM SERVES LOS ANGELES-AREA TITLE 1 ELEMENTARY SCHOOLS, MIDDLE SCHOOLS, AND HIGH SCHOOLS AT NO COST TO THEM AND OFFERS TO UNDERWRITE BUS COSTS FOR THESE VISITS. THE MUSEUM'S FREE DROP-IN TEEN PROGRAM INVITES LOCAL TEENS TO JOIN MUSEUM EDUCATORS ON THE THIRD FRIDAY OF EVERY MONTH TO BE INSPIRED BY THE MUSEUM'S EXHIBITIONS AND SCREENINGS, EXPLORE THE MUSEUM, SOCIALIZE, AND BE CREATIVE. ACADEMY MUSEUM EDUCATORS HOST FAMILY DAYS DROP-IN WORKSHOP ACTIVITIES ON THE FIRST THREE SATURDAYS OF EVERY MONTH, DESIGNED FOR FAMILIES WITH CHILDREN AGES 2 AND UP AND ARE FREE WITH MUSEUM ADMISSION. THESE WORKSHOPS ALLOW FAMILIES TO ENGAGE IN ARTMAKING, EXPERIMENT WITH MOVIEMAKING EQUIPMENT, AND LEARN VARIOUS ELEMENTS OF FILMMAKING. MONTHLY CALM MORNINGS PROGRAMS PROVIDE ACCESSIBLE EXPERIENCES DESIGNED FOR ALL VISITORS, INCLUDING THOSE WHO ARE NEURODIVERGENT, WHEELCHAIR USERS, BLIND, LOW-VISION, DEAF, AND HARD OF HEARING TO ENGAGE WITH THE MUSEUM. REGULAR VISITOR TOURS INCLUDE DROP-IN GALLERY PROGRAMS, AS WELL AS CONSISTENTLY SCHEDULED AND PROMOTED AMERICAN SIGN LANGUAGE (ASL) INTERPRETED TOURS AND VISUAL DESCRIPTION TOURS OF FILM CLIPS AND EXHIBITION OBJECTS. IN APRIL 2025, THE MUSEUM HELD ITS ANNUAL CAREERS IN FILM SUMMIT. THIS EVENT IS A PROGRAM THAT RAISES AWARENESS ABOUT THE RANGE OF FILM-RELATED INDUSTRY JOB PATHWAYS FOR HIGH SCHOOL STUDENTS FROM UNDER-RESOURCED COMMUNITIES AND THOSE INTERESTED IN PURSUING FILMMAKING AS A CAREER. IN JUNE 2025, THE MUSEUM'S TEEN COUNCIL PROGRAMMED A SERIES OF FILM SCREENINGS IN COLLABORATION WITH OUR FILM PROGRAMS DEPARTMENT CALLED TEEN MOVIE MADNESS THAT HIGHLIGHTED TEEN COMEDIES FROM THE LAST FOUR DECADES. THE MUSEUM'S PROMISE WORKSHOP PROGRAM LAUNCHED IN MAY 2023. THE PROMISE WORKSHOPS BRING TOGETHER THE EMPOWERING AND EXPRESSIVE NATURE OF FILMMAKING WITH PROFESSIONAL SKILL DEVELOPMENT TO LOS ANGELES AREA EMERGING ADULTS AGES 18-23. IN JULY 2024, THE MUSEUM'S SECOND COHORT COMPLETED THEIR PROGRAM WITH A SCREENING OF THE SHORT FILMS THEY MADE, PRESENTED IN THE MUSEUM'S TED MANN THEATER FOR THEIR FAMILY AND FRIENDS. THE ACADEMY MUSEUM'S FILM PROGRAMS HIGHLIGHT THE RICH DIVERSITY OF NATIONAL AND INTERNATIONAL FILM CULTURE WITH SCREENINGS AND IN-PERSON CONVERSATIONS INSIDE THE 277-SEAT TED MANN THEATER AND THE 951-SEAT DAVID GEFFEN THEATER. SCREENINGS IN FY25 INCLUDED THE FOLLOWING POPULAR ONGOING SERIES: FAMILY MATINEES EVERY SATURDAY MORNING, OSCAR SUNDAYS EVERY SUNDAY AFTERNOON, BRANCH SELECTS EVERY WEDNESDAY NIGHT, AND AVAILABLE SPACE, A MONTHLY PROGRAM OF EXPERIMENTAL FILM. THEMES FOR FAMILY MATINEES DURING THIS PERIOD INCLUDE FILMS SET IN AND AROUND LOS ANGELES; FAMILY FILMS FROM 1999; FAMILY-FRIENDLY MONSTER MOVIES; PAST ANIMATED FEATURE OSCAR NOMINEES; A FOCUS ON THE EARTH AND OUR ENVIRONMENT; AND SUMMER CAMP MOVIES. OSCAR SUNDAYS FOCUSED ON A CENTENNIAL CELEBRATION OF COLUMBIA PICTURES; WESTERNS THROUGH AN INDIGENOUS LENS; MILESTONES FOR BLACK ARTISTS THROUGH OSCARS HISTORY; PHILIP SEYMOUR HOFFMAN; AND FILMS THAT WON OR WERE NOMINATED IN THE VISUAL EFFECTS CATEGORY. LIMITED SERIES PRESENTED IN FY24 INCLUDED: SUMMER OF MUSIC: CONCERT FILMS 1959-2020; SILENT SUNDAYS; REGENERATION, REMIXED; DICK SMITH: THE GODFATHER OF MAKEUP; YASUJIRO OZU IN COLOR: THE FINAL SIX FILMS; ENTER THE VARDAVERSE: AFTERNOONS IN PARIS; NEW ITALIAN CINEMA; JOHN WATERS: POPE OF TRASH; ENNIO MORRICONE: ESSENTIAL SCORES FROM A MOVIE MAESTRO; SONG KANG-HO; 35 YEARS OF THE NATIONAL FILM REGISTRY; 3D-CEMBER!; BEWARE THE ELEMENTS! NATURAL DISASTERS ON FILM; ECHOES OF AFRICA; THE SEWING CIRCLE: SAPPHIC ICONS OF EARLY HOLLYWOOD; IN THE MIDNIGHT HOUR: A HISTORY OF LATE-NIGHT MOVIES; A CENTENNIAL TRIBUTE TO MARLON BRANDO; FUNNY GIRLS: FANNY BRICE AND HER LEGACY; YOUN YUH-JUNG; SUMMER IN THE CITY; FULL OF PLEASURE: THE BEGINNINGS OF NEW QUEER CINEMA; AND DAMAS DE LA PANTALLA: THE WOMEN OF MEXICO'S POCA DE ORO. PROGRAMMING IN FY24 INCLUDED THE FOLLOWING SPOTLIGHT SCREENINGS: MAY THE 4TH CELEBRATION; EARTH DAY AT THE MUSEUM WITH THE SMI FILM INSTITUTE; GREGG ARAKI'S TEEN APOCALYPSE TRILOGY; STAND BY ME AND THE PERKS OF BEING A WALLFLOWER WITH THE ACADEMY MUSEUM'S TEEN COUNCIL; ISAAC JULIEN'S YOUNG SOUL REBELS; THE 25TH ANNIVERSARY OF SMOKE SIGNALS; THE GEORGE STEVENS LECTURE ON DIRECTING PRESENTS THE 70TH ANNIVERSARY OF SHANE; FATAL FEMMES: TWO PARISIAN CRIME FILMS BY WOMEN; REMEMBERING HARRY BELAFONTE: BUCK AND THE PREACHER; THE UNSEEN SCENE: AN ACADEMY FILM ARCHIVE TRAILER SHOW; SPELLBOUND IN 4K; LA PALOMA IN 4K; PARAJANOV: THE LAST SPRING WITH THE COLOR OF POMEGRANATES; THE LORD OF THE RINGS: THE RETURN OF THE KING -20TH ANNIVERSARY SCREENING; AROUND LOS ANGELES: HOME MOVIES FROM THE ACADEMY FILM ARCHIVE; THE BOOK OF RHYME & REASON BOOK SIGNING + SCREENING; CASABLANCA IN 35MM; AND THE 4K RESTORATION WORLD PREMIERE OF AMADEUS. LIMITED SERIES PRESENTED IN FY25 INCLUDED: SUMMER IN THE CITY: LOS ANGELES, BLOCK BY BLOCK; FULL OF PLEASURE: THE BEGINNINGS OF NEW QUEER CINEMA; DAMAS DE LA PANTALLA: THE WOMEN OF MEXICO'S POCA DE ORO; THE WONDERS OF TECHNICOLOR; TELLERS OF TALES: THE FILMS OF POWELL & PRESSBURGER; HOLLYWOODLAND: THE ORIGINS OF THE STUDIOS; JAMES BALDWIN AT THE MOVIES; HASTA LA RAZ: TO THE ROOT; SOPHIA LOREN: LA DIVA DI NAPOLI; PRESENT PAST: A CELEBRATION OF FILM PRESERVATION; 3D-CEMBER; CYBERPUNK: ENVISIONING POSSIBLE FUTURES THROUGH CINEMA; THE ROLES HE PLAYED: PAUL NEWMAN AT 100; I SEEM TO RECALL.MEMORIES AND DREAMS IN CINEMA; EMOTION IN COLOR: A KALEIDOSCOPE OF INDIAN CINEMA; DIRECTOR'S INSPIRATION: BONG JOON HO; RAISING THE LANTERN: A CELEBRATION OF CHINESE-LANGUAGE CINEMA; SOMETHING MY
Source: Form 990 for the year ending June 30, 2025, filed with the Internal Revenue Service. Rating method 2026.2. How we rate
Legitimacy checks
Is it registered with the IRS? Passed.
Listed in the IRS master file of tax-exempt organizations as a 501(c)(3) charitable organization.
Source: Exempt Organizations Business Master File, Internal Revenue Service, file dated October 13, 2026.
Has the IRS revoked its tax-exempt status? Passed.
Not on the IRS automatic revocation list.
Source: Automatic revocation of exemption list, Internal Revenue Service, file dated October 13, 2026.
Are donations tax-deductible? Passed.
On the IRS list of organizations eligible to receive tax-deductible contributions.
Source: Publication 78 data: organizations eligible for tax-deductible contributions, Internal Revenue Service, file dated October 13, 2026.
Is it keeping up with its IRS filings? Passed.
Most recent return on file covers the year ending June 2025.
Source: Exempt Organizations Business Master File, Internal Revenue Service, file dated October 13, 2026.
How long has it been tax-exempt? Passed.
Recognized by the IRS since January 2007.
Source: Exempt Organizations Business Master File, Internal Revenue Service, file dated October 13, 2026.
Is it in good standing with state regulators? Passed.
Not on California's list of charities barred from soliciting. Other states are not yet checked.
Source: May Not Operate or Solicit for Charitable Purposes list, California Attorney General, Registry of Charities and Fundraisers, file dated October 21, 2026.
Ratings and checks are our reading of public records, using the published method. They are not a statement about anyone's honesty. If you work for this organization, you can send corrections or results, confirm you want gifts through Veridonate, or ask to be removed from giving.